Timetable : ARRANGEMENTS, PERFORMANCE AND THE WORK CONCEPT 1700-1900

15^th June, Senate House Library (Room 261)

Malet Street, London WC1E 7HU

(provisional timetable 02/05/15)

10.00		Registration & Event Introduction
10.30	John Irving	Beethoven and the art of Arrangement: approaches to a new recording
11.00		Session I – Chair: Stephen Rose
	Emily Baines	The Ghost In The Machine: how arrangements made for mechanical instruments challenge modern ‘eighteenth-century’ performance practice norms.
	August Guan	Keyboard Arrangements of Hasse’s ‘Comic Tunes’
	Sonia Wronkowska	Keyboard arrangements in the 18th-century manuscripts from Polish female convents
	Simone Laghi	The many lives of an 18th century love song: from Banna’s banks to London’s stage
12.30		Lunch
13.30		Keynote address: John Butt, Bach’s Christmas Oratorio and its hermeneutic puzzles
14.30		Session II – Chair: John Irving
	Elena Pons	‘Arrangement’ as a category in late 18th-century German musical discourse
	Robert Percival	Arrangements for harmonie, and why they matter
	Leonardo Miucci	Mozart piano concertos: the arrangements made by J. N. Hummel
15.30		Tea Break
16.00		Session III – Chair: Ester Lebedinski
	Olivia Sham	Die Rose: Liszt’s performance of Schubert’s lied
	Chanyapong Thongsawang	Opera Paraphrases for Piano in the First Half of the 19th Century as sources for Performance Practice
	Reuben Phillips	Compositional Process and the Ontology of the Musical Work: The Case of Brahms Serenades Opp. 11 and 16
17.00-17:30		Roundtable

To register please email Elena Pons – mxwm006@live.rhul.ac.uk

Registration fee: £15 (RMA members £10) to be paid on the day